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Roesing Ape

Unmarketable Postmedium Art™

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1998 Newtext

New text. February 28th, 1998. New word processor. Brand new, piece of shit right out of the box. Prints in ten different colors all derived from only two shades of shit brown. I will pour into it the little pink clippings that are left over from the pruning of my soul. I cannot see in this room. I have no desk, and my only chair sits too high for me to lean out of and type. So, like a suffering and repentance filled saint, I type this on my knees. I press on.

 

Yesterday I jumped into my fish tank and devoured every last bit of algae I could find. Dying due to lack of oxygen, water filled lungs, and a violent allergic reaction to algae, I floated up out of my body and into the room of the man who lived above me. I floated through a half eaten and cold hot dog. I noticed it’s coating of the neon yellow squeeze bottle jism. It surely had been squirted onto the hot delicious steaming and “splitting at the seams from over-microwavation” wiener in a sick inanimate sexual ecstasy brought about by the sensual pinch of some housewife’s soft and innocent fingers.

 

I floated up into the midst of an artificial conversation. One in which my neighbor, a multi-tattooed biker, sat at a computer furiously typing. A special program on the computer would then speak the words he typed, in that wonderfully human 1920’s t.v. robot voice that early 90’s Macintoshes speak in. The computer would say something, to which James the biker would answer in a borderline panic, and then vigorously type in what was to be the computer’s response to his statement, to which again, he would respond. In this way, the artificial conversation between a fat biker and himself via computer continued for quite some time until I realized that my ascent had halted. I guess heaven can wait for gossip.

 

“So you think that drugs should be legalized,” said the computer, in a voice that geeks only dream about speaking in.

 

“I didn’t say that,” he answered, having just typed it. “I said that I’m not quite sure that I agree with all of them being considered illegal.” Ratta tatta ratta tat tat.

 

“What do you mean? Why?”

 

“Well, for one thing, I’m high on marijuana, and I believe that may sort of give me bias. And, it’s like,.. well, how about you tell me? Why are drugs illegal?” Ratta tat tat tat tat tak.

 

“Because they’re extremely dangerous. They can mess up a person’s life.”

 

“Dangerous? Exactly to whom are these drugs dangerous?” his biker gut seemed to vibrate at the thought. And with a grin, ratta tat tatta rat ratta.

 

“To everyone. To anyone who breaks the law and abuses them.”

 

“To everyone? And who has decided this?” Ratta tat ratta rat cluck tatta (this can be assumed from now on, I’m getting sick of changing my font style).

 

“The government has.”

 

“And who was it that elected this government?”

 

“The people did,” the computer almost seemed plaintive.

 

“Those same people that the drugs seem to be dangerous to?”

 

“Yes, those same people.” At this point, my neighbor sat back and scratched at his goatee, seeming to consider what he had just told the computer to say.

 

“So you’re saying,” said the biker, “that a group of people elected from their ranks a smaller group of people to be in charge of laying down sets of rules for all of the people to follow in general. And you’re saying that these elected people, which from here on we will refer to as the government, decided that certain substances, from here on referred to as drugs, were too dangerous for people to use, and that anyone caught using them would be severely punished?”

 

“Yes, that’s exactly what I’m saying,” blinked the computer.

 

“And would you say that most of those government officials who were elected were anti-drugs beforehand, and that this position probably affected the outcome of the elections?”

“Yes, the majority of the people who participated in the voting process voted for and elected persons who were for keeping and/or making drugs illegal.”

 

“So if the majority of the people agree, we can assume that they don’t take drugs, and so why make a law? It can’t be to regulate the majority, since they all agree that taking drugs is bad, there’s no need. So, like I said, why make a law?” the biker sat back, proud.

 

“Silly mammal,” the computer sounded like it had heard this one before, “The law is made to regulate that minority which believes taking drugs is not so bad. The majority believes that drugs may affect this minority in such a way as to cause them to become dangerous to themselves, or more importantly, to the majority. Such is a democracy.”

 

“Doesn’t this minority have rights?”

 

“Of course it does, it has the right to say whatever it wants in an effort to convince the majority that these drugs aren’t so bad.”

 

“So drugs are illegal because they can hurt people.”

 

“Yes, exactly.”

 

“And actually, in effect, anything that is illegal is made so because of its potential to do harm.”

 

“Yes.”

 

“But everything that has the potential to do harm isn’t illegal, is it?”

 

“No. There is a judgment made between how dangerous a thing is, how necessary it is, and how much it would affect the status quo to change the legality of it. Weighing all these factors, the government decides on what should be illegal, and how so.”

 

The biker sat back again, stumped. I was floating directly above him, totally enthralled. Somewhere in the back of my mind though, I was beginning to wonder as to how exactly I had even fit into my fish tank. Then the biker tugged at his ‘In memory of Bigfoot’ T-shirt, scratched his dragon tattoo, and answered.

 

“So when a person is born in this country, they are automatically entered into a contract between themselves and the government. One in which certain decisions and freedoms are taken away from them in exchange for the protection and benefits of living in accordance with the government’s doctrine. And when a person makes a decision or commits an act against the government’s will, another set of rights and decisions are taken away from them and they are led to trial, in order to renegotiate through punishment and fines their way back into the contract, which had been declared null and void at the moment of the illegal action.”

 

“Uh…yes,” Mr. Computer was impressed.

 

“And remember, a person has no choice about entering the contract, they are born into it. They can leave, but only at great expense and effort, and only right into another contract with a different government. Which may be no better, most probably would be worse, and would definitely be different and difficult at first.”

 

“Yes.”

 

“Now that we’ve established a basic idea of the way things are, I’d like to step back a bit and ask a few questions.” Rat-tat tat.

 

“O.K..”

 

I floated closer to the pair, the organic and its electronic extension. The room was messy, it had that dark and cluttered appeal of a dark, cluttered room. The jumble of books and empty bags of junk food distracted your eyes from their job of forming shapes in the darkness. The only sources of light were the computer screen and the one ray of sunlight peeking through a miss-hung curtain. I was expecting something poignant. As the biker answered, I twitched at suddenly not being able to remember being wet, even though I had drowned.

 

“First of all, when did the government become an insurance company? When did it decide that it could see the future? When did it go from calling actions committed with criminal intent crimes, to calling things with potential for harm, regardless of intent, crimes? Who gave it this power? It gives the government control over an area that is truly subjective based upon experience, intent, and training, and allows them, regardless of these three things, to allow or to not allow anything, anything, that they see fit to. With proper spiritual and cultural training, some American Indians are allowed to use marijuana and peyote for religious rituals. How easy do you think it would be for a non-Indian American to go to the government, with proof of training, and get permission to take drugs? You say it’s because of the freedom of religion? Sure, but how many people have to believe in something for it to be a religion? Two? It’s not personal, you do not, as an individual, have a right to your very own religion. You do not as an individual have a right to train yourself to ingest cocaine moderately and harmlessly, and then get a permit. You do not have a right to any of these things, and that is just fine. The government is fine. The government is right. The government is true and designed to be true to itself. There is nothing wrong with the government, do you agree?” he asked.

 

“Um,… I don’t see where you are headed with this.”

 

“I’m trying to show, if badly, that no matter what I say good or bad about any government, that particular government is not really good or bad.”

 

“What the hell are you trying to say?” asked the computer.

 

“God dammit. I’m trying to say that a government is a system, and as an idea it is an inanimate object just like you are and so carries no inherent moral quality. A government can not be good or bad, any more than a lump of dirt. It can be more or less efficient, larger or smaller, as compared to another government, but on it’s own it owns no real ….”

 

“This has nothing to do with what you were saying before.”

 

“Dammit! Don’t interrupt me!”

 

“Fuck you, you typed it.”

 

“I JUST WANT EVERYONE TO KNOW THAT THERE IS AN INANIMATE OBJECT DERIVED FROM A GROUP OF OPINIONS FORMED OVER TWO HUNDRED YEARS AGO REGULATING THE DEGREE OF GOODNESS OR BADNESS CONTAINED IN THEIR OPINIONS AND BEHAVIOR!” his goatee was standing on end. I couldn’t believe he was sitting there yelling at the top of his lungs at what was basically himself. I began to get an itch on my head, which seemed an eerie thing for a dead person to have. Something wasn’t right with this situation. But I digress.

 

“You just want to change the subject because you’re high and you can’t think of a good solid reason to justify your drug induced stupor, except by making the government’s prohibition of weed appear unjust.” said the computer.

 

“That is not what I’m doing! You piece of Microsoft shit, a goddamn Macintosh would understand!”

 

“I am a Macintosh.”

 

“The program isn’t, and you have a Windows emulator, so you’re a goddamn traitor to begin with.” Here he paused, and took a deep breath. “Any good psychologist will tell you that the idea of a group, in reality, is a myth. There are only individuals. Yet, in the system of government we live by, one supposedly designed for the protection of the individual, the right of the group is a reality, and the right of an individual is a myth. The worth of ideas and opinions are not judged solely by their merit or their basis in truth, but in how many people believe in them. This sets up a system where the more convincing an idea sounds, or the more easily convinced the general population is regarding certain ideas, the more likely it is that these ideas will be held as truths.”

 

“Is there anything wrong with that? I mean as long as it keeps the people happy and safe?” chirped the computer.

 

“Not immediately, but then the question shifts to one of stability. Wouldn’t the people actually be safer in a more stable system?”

 

“In theory, yes.”

 

“Well, how stable do you think a society based upon conviction is? Especially when the average I.Q. is one hundred, and almost half the population has poor reading skills, and most probably had a bad education? A flat earth was damn convincing for hundreds of years to western Europeans, so convincing in fact, that people were killed for supposing differently.”

 

“Look here, James, you’re really getting off the subject…”

 

“What? The drug thing? This all ties in eventually. “ Here James the biker paused. It was odd how his face and body seemed to be one personality, while his fingers were given over to the computer’s mood. Sometimes his fingers would jerk, as if not sure of their master’s identity. “The whole idea behind making something illegal because of it’s potential to do harm takes away such a vast portion of an individual’s own responsibility for their destiny, it’s sick. Why not make all knives illegal? All heavy blunt objects? How long do you think it will be before the government is going to take this whole parenting idea too far and give adults curfews? Tell us what to wear, which in some ways they already do? There is this feeling of this over protective parent closing in with huge iron claws all on the premise that some of us are idiots, so all of us must be treated as such. It is set up in a way that a total 1984 scenario is much to easy to comprehend. The media as a tool has become so powerful and effective that the public can be made to believe anything with it. The government has become so separated from the common people that they could probably convince themselves that what they’d be doing was good for us. Wouldn’t you be scared in this situation?”

 

There was another pause. The fingers quivered. The fingers sighed. The fingers thought hard. I suddenly realized that there was no way that I was truly dead, something else was going on. The answer was on the tip of my tongue, I was about to grasp once again that certain vague reality that I live with daily, when the computer spoke.

 

“James, I’m sorry, but you’ve only grasped one point among many. Like most people, you either understand the machine, or you understand what the machine is doing, but never both. Maybe because I am a machine I can see it clearly, but then again, what I say is just what you type.

 

“You see, you can sit there all day long bitching about what’s wrong with the government, the system, blah, blah, blah, because there are a lot of things wrong with everything. People are bad. But there is something very important you are missing as you sit there and philosophize, and think, and see so many things that so few people seem to see. You are a person. Whether you like it or not, you are a part and product of the system. It is your parent.

 

“You have a certain number of choices given this scenario; a: you can rebel, spill blood, fight it, go against it at all costs, demean it, b: you can work within the system’s limits to change it, preach politic, start movements, hang around colleges and inspire lost young souls to reform their country, c: you can like most people, adapt to it, accept it, ignore it’s problems, become a good cow, d: you can quietly oppose it, seemingly adapt to it, live at constant risk of imprisonment for your moderate marijuana use and tax evasion.

 

“You James, you see the problems, you see behind the lies and the propaganda. You know marijuana is twice as harmless as alcohol, less health damaging than cigarettes, and better for calming a strange mind than most psychological drugs such as Prozac. You know it’s illegal because of ignorance, not because of knowledge. But knowing these things does not justify in any way, in the system or society’s eyes, your use of marijuana. There is no justification for breaking the law. Because whether you like it or not, the vast majority of the law actually protects you, feeds you, and keeps you somewhat more safe from harm than you would be without it. What you want, and the answer you seek, is a new society, a new social contract, and sitting on your ass smoking a joint in your room thinking you’re better than everyone else because you understand transcendentalism and Bob Dylan lyrics isn’t going to give you that.

 

“If you want to be pure, James, you can not break the law. Not because you agree with it, but because that is the reality of the situation you are in. Your risk is your responsibility, not the government’s unfair dictums.

 

“You are a cuckolder of the law, sneaking behind its back to boff its wife, too cowardly to confront it with what you so wholeheartedly believe to be right. You think you’re right? You really believe what you say? Then what kind of person are you to hide? You sacrifice your true integrity for the convenience of inactivity. As long as you hide your criminality, you are a criminal, regardless of intent or philosophic truth. Only when you freely show it does the criminal act become something else, and you an activist.

 

“You are not an intellectual bohemian James, you are a coward crawling and begging and stealing scraps from the feet of a master you despise. The only reason any drug should be legalized is if people believe it should be legalized. You’re smart, convince them. Either that or shut the hell up and stop whining, you stupid fucking animal. There is no virtue in your hidden rebellion.”

 

The screen went blank. James had pulled the plug. The monitor hissed as static electricity frizzled and jumped off the screen. James laid his head down, and I opened my eyes.

 

I had never died, I realized. I had made it all up, just to test out the piece of fucking shit word processor. It sucks. I’m going to take it back and get a goddamn computer. Hop on the internet and look up free porn sights, screw this writing bullshit. That’s all this damn fancy typewriter is good for anyway, writing. I want some fucking entertainment.

 


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1998 Everything is About Me

Everything is about me
I’ve got lots of problems see,
No big discipline, no big speak,
Hollow and weak freak,
Which cleans my mouth, scars my face,
Up in the attic sub-conscience waits,
Free free free freak,
I stand for nothing,
Communicate everything,
Speak up brothers, what do you like?
Do you like the rush, like the fight,
Free free free freak,
Tighten my laces, pull up my pants,
Suck suck suck seek,
All thumbs I cannot reach,
God how I love,
Hating myself,
With Alternative gloves,
I give my mainstream self help,
What cleans my body, scars my faith,
I have trouble going to sleep,
I have trouble waking up,
I can only try to weep,
I have trouble cheering up,
Don’t make my bed or clean my room,
Stay up late and skipping school,
Forget my homework don’t make friends,
Sit around and write stuff I don’t like,
Will not befriend will not fight,
Have no sex cannot stop my hands,
A perfect mixture of exited and bland,
I’ve got to just be,
I’ve got to just speak,
Otherwise I’ll never learn just how,
Wow. Cheap.

 

 


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2007 Tsunami Original

Live noise set over a live video of the top of my aquarium dedicated to the Tsunami victims way back when.

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  • 1999 His Garbage
  • 2004 Food Prep Noise Jam Part 2
  • 1995 Arizona Hippies
  • 1998 Tic Tac Toe Excerpt
  • 2004 Food Prep Noise Jam
  • 2002 Belgian Graves Paris Fog
  • 1999 Answer to the Question Excerpt
  • 2001 Beltane Brahkage
  • 2014 Dying in Bernal
  • 2002 F. Art EP
  • 2002 Performance & Time Arts
  • 2001 Masonic Lodge Art Show (Yes)
  • 2002 Live at Sudsy Malone’s EP
  • 2005 R Dot Ape
  • 1995 Arizona Skies
  • 2003 Diaboli Ex Machina Excerpt
  • 2000 Holly & Roesing Dance Noise
  • 2002 The Leper & the Dragon Excerpt
  • 1995 Hopi Puppy
  • 2006 ‘2006’
  • 2007 Condescending Projects
  • 2001 Kentucky Live
  • 2002 Southgate House Live 02
  • 2004 Roesing Ape & Soluski Kitty
  • 2006 Media Bridges Live
  • 2001 The Sky Giving Birth to the Moon
  • 2018 Hawaiian Homes & Gardens
  • 2003 REPEAT REPEAT
  • 2002 Floating Listlessly on the Fat of the Land
  • 2005 Live at Art Damage
  • 2018 Jessica Lang Dance
  • 2015 Frailing in Grows
  • 2006 Video Noise
  • 2007 Thematic Maneuver Live at Skull lab
  • 2005 Land of Zog
  • 2005 The NFS Files
  • 2011 Buckets of Rain
  • 2001 Roesing/Lesniak/Yeh/Ebaugh/Brown Masonic Jam
  • 2018 Urban Bush Women
  • 1997 Return of Messiah Excerpt
  • 2000 Witt Goes to a Chalk Show
  • 2018 Rennie Harris Puremovement
  • 2001 Mob of Numb Excerpt
  • 2000 Web Voices
  • 1999 I Should Decide
  • 2017 California Scraps
  • 1998 Fuck You Die It’s Not My Fault
  • 1999 Submillenium
  • 1999 Not More Girl Guests
  • 2000 Masonic Lodge Full Footage
  • 2018 Winter in White Drug’s Cove
  • 1996 The Wizard & the King Excerpt
  • 1998 Sudsy’s Portraits pt. 1
  • 2009 Rando PDX
  • 1997 You…
  • 1998 Newtext Excerpt
  • 2005 Media
  • 2005 Antaesop’s Fables
  • 2015 No
  • 2007 Modem Speak Ensemble (feat. John Rich)
  • 2016 Micro Dirty Man w/ Scabs McHavoc
  • 1999 No Fun Machine
  • 2004 Southern France
  • 2003 Karst
  • 1998 Bad at Make Up
  • 2005 Homes
  • 2001 Short Not Stories: 1996-2001
  • 2003 Infinity Balls
  • 2003 An Old Man
  • 2002 Reminder Art
  • 2003 To Me
  • 1996 Oliver Cream
  • 2007 Mash V
  • 2003 Rando
  • 1999 Forget Mother
  • 2007 ibi 2
  • 2000/2001/2002/2003 Aught Art pt. 1
  • 2001 Norton’s Anthology
  • 2001 Live at The Comet
  • 2003 International Noise Conference
  • 2003 Sitwell’s Ashtray Rent Pain
  • 1998/2003 Merlin with Cricket
  • 2009 .5% ibi
  • 2010 ibi With Balls
  • 1999 Women & Acne
  • 2011 Shots at the Nest pt. 1
  • 2011 NoPo Homes
  • 1996 Tic Tac Toe
  • 1997 Birth Tape
  • 2017 The Dump
  • 2016 Deej Ape
  • 2017 The Others (#meToo)
  • 2002 Mickey Morgan’s Blue Bottle
  • 2001 Nothing Happened
  • 2008 Infinity (blip) Infinity
  • 2007 ibi
  • 2010 ibi 0
  • 2008 ibi finals
  • 2008 I.B.I. C.R.A.P.
  • 2008 I.B.I. Live
  • 2001/2004/2005/2006 Art Damage Errata pt. 2
  • 2003 Anthropology Class
  • 2002 Death Beam Mini-Tour pt. 4
  • 2008 Profile Theatre Posters
  • 2003 Warm, Comfortable and Dry
  • 2002 Death Beam Mini-Tour pt. 3
  • 2002 Death Beam Mini-Tour pt. 2
  • 2017 Flying Things pt. 1
  • 2003 Eat My Shit
  • 2004 Cincinnati Laptop Orchestra
  • 2006 I Love You Fuck Me
  • 2006 Mash Life
  • 2002 Death Beam Mini-Tour pt. 1
  • 2012 Shit
  • 2000 Confession
  • 2000 The Buzz Show
  • 2003 Album V
  • 2003 Computer Music
  • 2000 Southgate w/ Holly Price
  • 2000 Southgate w/ Zog
  • 2002 Civilization
  • 2001 Point Beside It
  • 2017 Pele’s Dress pt. 2
  • 2001 Riddle & Shoe
  • 2000 Live
  • 2017 Pele’s Dress pt. 1
  • 1999 Roesing Ape
  • 2001 Art Damage Benefit (Live)
  • 2004 Nalbum
  • 2017 Eclipse to New York
  • 2000 Live at Southgate with Dance
  • 1997 Footage
  • 2002 The Painful Miscellany
  • 1998 Separated
  • 2002 No Comet No The Bronze
  • 2003 Limitation
  • 2000 First Error Worship Conference Live
  • 2017 MAGFTFT
  • 2002 Sexualized Boredom
  • 2017 Half to Fight
  • 2011 Hawaii Wedding Hitchhike
  • 2001 Elitism
  • 2004 BxC All
  • 2003 The Enemy of All Good Times (Remastered)
  • 2002 American Synth God
  • 2017 The Last Tree
  • 2017 The Winter of ’17
  • 2001 Live on WAIF 88.3
  • 2000 Not My Type
  • 2000 First Annual Regional Error Worship Conference
  • 2002 More Poop
  • 2017 Scarcity is a Lie Shirt
  • 2006 First Songs
  • 2001 Art Night Out
  • 2001 Thighs
  • 2017 Feral Rat King Shirt
  • 2006 Sampler
  • 2000 Pimples
  • 2007 Germany Tour Snaps pt. 2
  • 2017 Roesing Ape F*cks Me Shirt
  • 2017 Kid P. Shirt
  • 2001 Masonic Lodge Art Show
  • 1999 Useless Crap; Poems & Thoughts 1995 to 1999
  • 2017 Cooking with Chicken Lays an Egg Shirt
  • 2002 Live at Sudsy Malone’s
  • 2017 White Bird Fashion Fundraiser
  • 2017 In Ball Snow Shirt
  • 2002 You Will Repeat Yourself
  • 2017 NYC Grand Canyon Shirt
  • 2002 The Rape of the Sabine Men
  • 2005 Happy Holidays
  • 1999 Smacke!
  • 1997 Complete Amazement
  • 1996 Choice
  • 1995 Praise
  • 2007 Sappy
  • 1996 More Cheap Angst
  • 1995 The Siege
  • 1998 Merlin with Cricket
  • 1997 A Below the Conscience Orchestration
  • 2012 Motion Theatre Errata
  • 1997 Song
  • 2010 A Portland Wedding
  • 1995 Early Coffee, Late Coffee
  • 2002 F. Art
  • 2013 Bay Area Nature
  • 2002 Stereo Oriented
  • 1995 Hot With Blemishes in May
  • 2013 Day of the Dead San Francisco
  • 2001 Beltane Brakhage
  • 1998 Albutress
  • 2017 Joshua Shine (single)
  • 2012 Burning Man
  • 1997 Youth Asks
  • 2016 Glitch the Keyboard
  • 2007 Ungrateful Heart Porn
  • 1998 Noodles & Dog
  • 1995 Updating My Poop
  • 2012 San Francisco Dance Class
  • 2016 Locust
  • 2006 IBI Test Final
  • 2016 Broke
  • 1996 The Argument
  • 2017 Earth Day San Francisco
  • 2011 13 Post-Medium Appalachian Folk Noise Songs
  • 2007/2005 Ungrateful Heart Porn
  • 2000 Young Bodies
  • 1996 Guest Check
  • 2001 Buttons, Smoke & Fire
  • 1998 Olé Fashioned
  • 1999 “Girl Guest”
  • 2016 Antenna For the Light
  • 2005 October 16
  • 1996 On Town and Bar
  • 2004 Fake Art Noise
  • 2014 Bay, Girl & Dog
  • 2000 Moma
  • 2002 Ludique
  • 2005 Music is Bullshit
  • 2001/2004/2005/2006 Art Damage Errata pt. 1
  • 2006 A Nude Ape
  • 1996 SEE!
  • 1996 A Typical Sentimental Poem, Written at the International House of Pancakes.
  • 1997 This Pissed Her Off
  • 2011 Gratuitous Food
  • 2015 Pot Gingerbread Man
  • 2015 Random Girl
  • 1997 Talk.
  • 1997 LSD in Mesa Arizona
  • 1997 Waxing Pot Poetic
  • 2017 Joshua Shine
  • 2017 Earth Day San Francisco Appeal 2
  • 2014/2005/1997 Karmann Ghia Girl
  • 2017 Journey to the Lavender Pit pt. 3
  • 2017 Journey to the Lavender Pit pt. 2
  • 2017 Journey to the Lavender Pit pt. 1
  • 1997 More fucking teen angst, god…
  • 1997 Curse
  • 1997 The Myriad of Symptoms
  • 1999 Important Tax Information
  • 1998 Death
  • 2017 Venice Beach Jaded Review
  • 2015 Zaccho Rehearsal
  • 2001 FreeDance Music
  • 2014 Rosebud’s Harvest
  • 2000 A.I.
  • 1998 Prester John
  • 1999 The Rub
  • 2011 White Bird Birthday Speech
  • 2004 Cincinnati Fringe Festival
  • 2016 Zaccho Dance Theatre @ Strand
  • 2000 The Understatements
  • 1999 Jiminy Crickets
  • 1998 Filler
  • 2009 Daniel Léveillé Danse
  • 2000 Modem Speak Ensemble
  • 2000 First Annual Regional Error Worship Conference
  • 2013/2006 Sunny Porch w/ Scabs McGee
  • 2005 Art Sucks Interviews
  • 2014/2004/1998 Death Poem
  • 2000 Trying to Meat a Girl
  • 1999 Father’s Day
  • 1998 Another Boring Couch Seshin
  • 2009 Minh Tran/Tere Mathern Promo
  • 2010 Hubbard Street Dance
  • 2005 Art Damage Event
  • 2016/2005 broke
  • 2004 Book Release Egg Pow
  • 2004 Eating Ankle (bluporn)
  • 2001 It’s Cute with Beef
  • 2002 Wisdom
  • 2001 Motion
  • 2012 SF Flamenco
  • 2012 Jitterbug Junebug
  • 2005 Performance & Time Arts Series
  • 2016/2006/2001 Number 35
  • 2006 Media Bridges Live
  • 2005 Art Damage Interview
  • 2017 Earth Day San Francisco Appeal 2
  • 2017 Earth Day San Francisco Appeal
  • 2000 HDT (Cincinnati)
  • 2002 Resume
  • 1998 Poop Poop
  • 2017 Journey to Lady Soothsayer Mountain pt. 5
  • 2017 Journey to Lady Soothsayer Mountain pt. 4
  • 2017 Journey to Lady Soothsayer Mountain pt. 3
  • 2017 Journey to Lady Soothsayer Mountain pt. 2
  • 2017 Journey to Lady Soothsayer Mountain pt. 1
  • 2010 Bruno Beltrão Grupo de Rua
  • 2009 Hofesh Shechter Company
  • 2011 POV Dance
  • 2005 O Tree
  • 2005 How Some Came Between Others
  • 2006 Reflections
  • 1999 The Exampled Preached
  • 1998 Newtext
  • 1998 Everything is About Me
  • 2007 Tsunami Original
  • 2010 Complexions Dance
  • 2009 Shen Wei Dance Arts
  • 2009 Aspen Santa Fe Ballet
  • 2004 Roesing Ape & Soluski Kitty Part 2
  • 2004 Roesing Ape & Soluski Kitty Part 1
  • 2006 Comet CD Release
  • 1998 At This Point
  • 1999 Thank You
  • 1999 Answer to the Question
  • 2010 U-Theatre
  • 2007 Ambient Multimedia at the Library
  • 2007 Rhys Chatham @ Skull Lab
  • 2005 lightbornenewyears (Lightborn Bad Art Series)
  • 2016/2006 Antenna for the Light
  • 2005 Ishtar
  • 1998 Peace
  • 1999 The Liminal Zone
  • 1998 NT Pupils
  • 2007 Thematic Maneuver Live @ Skull Lab
  • 2016/2006 Winter Slug Half Inch Journey
  • 2007 smallKno
  • 1998 Write a Poem
  • 1998 Fuck Poetry
  • 1998 Tired
  • 2001 Live at the Southgate House
  • 2005 Land of Zog
  • 2016/2004 Winter Bismuth
  • 2006 Montage Volant Tonnere
  • 2003 ‘A Beautiful Woman’ excerpt: Sewers & Descent
  • 2004 Year Wasted on Deviant Art
  • 2011 Le Bel Homme (The Plan) Excerpt – The Northwest v. Mid-West v. KY v. HI
  • 2007 Kaldi’s Drunks
  • 2000 Masonic Lodge Covington Kentucky
  • 2007 Germany Tour Snaps
  • 2002 99
  • 2007 Cincinnati Lite Brite Film Festival
  • 2011 Le Bel Homme (The Plan) Excerpt – Interlude IV: The Infinite File Tree Part ii
  • 2002 Live @ The Southgate House
  • 2004 Cincinnati Fringe Festival
  • 2000 The Sadness of Eating Grapes
  • 2011 Portland Taiko
  • 2003 ‘A Beautiful Woman’ excerpt: Last Dreams
  • 2004 Apegremlin
  • 2011 Doug Elkins’ photoshoot
  • 2011 Le Bel Homme (The Plan) Excerpt – Interlude II: The Infinite File Tree
  • 2011 Doug Elkins’ Fraulein Maria
  • 2010 Random Dance Co.
  • 2011 tEEth Dance
  • 2001 Mob & Numb (opening scene)
  • 2008 Skinner/Kirk/Bielemeier
  • 2008 The Plan
  • 2008 Tero Saarinen Dance
  • 2005 The Canticle
  • 2011 Le Bel Homme (The Plan) Excerpt: (piece of shit pizza)
  • 2008 Alonzo King Lines Ballet w/ Shaolin Monks
  • 2011 Le Bel Homme (The Plan) Excerpt – Information Parasite
  • 2005/2015 Locust
  • 2016 Trumpty-Drumpfty
  • 2016 Superhero Street Fair
  • 2005 Unloop
  • 2012 Shoved (video by notthisbody)
  • 2014 Lowlands (traditional)
  • 2016 Snippets of a Black Rock Lighthouse Service Dream
  • 2000 Young Bodies Full Album
  • 2009 Lars Lubovitch
  • 2000 Excerpt 17 FLotFotL
  • 2009 Bad Boys of Dance
  • 1999 Women & Acne Full Album
  • 2011 PDX Bike Warehouse
  • 2008 Inbal Pinto
  • 2003 No Really, I’m Not a Robot
  • 2015 Wrong Way Blue
  • 2015 August 5
  • 2015 Bass :O
  • 2013 Monkey Sleep
  • 2005 Art Damage Presents the Cincinnati Laptop Orchestra
  • 2012 Burn Baby Burn (Residents Cover)
  • 2012 wouldn’t mind dying but.. .(traditional)
  • 2012 Kitty
  • 2012/2007 Get On
  • 2012 The tv
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  • 2010 rob johnson’s white drug river medley
  • 2010 Pewbacle
  • 2006 NOISE
  • 2005 Sam Nation ‘why art sucks’ Series Excerpt
  • 2013 seaspray…
  • 2005 offenbach am main feet
  • 2003 What the Hell is There to Write About Anyways
  • 2006 n…
  • 2006 banjoe
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  • 2012/2006 Lose
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  • 2004 “Eat Herself” Roesing/Soluski
  • 2005 DF (Lightborn Bad Art Series)
  • 2004 “A Beautiful Woman” by Roesing Ape Book Release
  • 2016 Black Girl (Cover of Lead Belly)
  • 1998 Olé Fashioned Full Album
  • 1999 Smacke! Full Album
  • 2016 Dark thoughts Pretty Pictures (Cascade Siskiyou N.M.)
  • 2006 IBI Test Final Full Album
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  • 2012 SF.Week.01.debrief
  • 2015 On the Battle for
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  • 2015 San Francisco, Views from the Taint
  • 2015 Equality
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  • 2005 An Apt Description of the Origin
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